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Incredibly passionate music from 1970, with a highly romantic pulse. Gladys Knight casts an eye over a love she’s lost – and knows she could do better than his woman. Nastay as a busted tooth, slick as an oil spill, this Motown song kicks butt.Ĭlick to load video 34: If I Were Your Woman (Gladys Knight And The Pips) 41: Super Freak (Rick James)īefore “U Can’t Touch This” there was “Super Freak,” a badass hunk-a punk-funk that had Rick James riding high in 1981. In terms of sound, it heralded what was to come on Marvin Gaye’s classic What’s Going Onalbum.
#British dance song sergeant full
“Still Water” was written by Smokey Robinson and producer Frank Wilson, and released in two forms, “Love” and “Peace.” Full of the spirit of universal love pervasive in youth culture from 1967, this 1970 single should have made bigger ripples than it did. This silky 1967 treatise on desire, previously recorded by The Temptations, is one of the best Motown love songs. Though she possesses pipes that could blow down buildings, Gladys Knight prefers to use them subtly and, from the get-go at Motown, seemed more adult than her contemporaries. 43: Everybody Needs Love (Gladys Knight And The Pips) In between, they taped utterly amazing records at Motown, such as this bruising 1966 dancer. They gained acclaim for helping to change soul in the 70s by adding rock guitar, and did the original version of “Twist And Shout” (later covered by The Beatles on their debut album, Please Please Me). A wild version supplied a much-needed UK hit for The Fall in 1987.Ĭlick to load video 44: Take Some Time Out For Love (The Isley Brothers) With a chorus driven into your brain by a guitar like an angry hornet, this has the pop fashion of 1967 all over it. One doozy of a catchy song, penned by Motown backroom legends Holland-Dozier-Holland alongside Canadian singer Richard Dean Taylor. 47: There’s A Ghost In My House (R Dean Taylor) Perhaps The Velvelettes needed more attention, or to shout louder – but they surely had talent to spare. 48: Needle In A Haystack (The Velvelettes)Īn early marker of success for up and coming super-producer Norman Whitfield, this irresistible single was one of just two US Hot 100 entries for a girl group signed to a record company awash with them.
#British dance song sergeant mod
But you can still hear a strong current of R&B and an undertow of gospel in this thrilling floor-filler and all-time mod mover. The classic Motown sound was starting to fully flow by the end of 1963, when “Can I Get A Witness” was released. Assertive, powerful, and groovy, this 1966 smash is beautifully delivered by the great Eddie Kendricks.Ĭlick to load video 49: Can I Get A Witness (Marvin Gaye) – Sam Armstrong 50: Get Ready (The Temptations)Īn anthem from the first hitmaking phase of The Temptations’ career, when their songs were laid on by Smokey Robinson – a sure sign of soul of the highest order.
#British dance song sergeant tv
It’s since been one of the tracks used in countless TV shows and films to stand in for the 1960s as a decade, ensuring that this Motown song will continue to resonate for generations to come. This massive hit for The Four Tops wasn’t just a No. – Sam Armstrong 51: I Can’t Help Myself (Sugar Pie Honey Bunch) (The Four Tops) While the sentiment was downcast, it resonated with listeners at the time (it nearly reached the top of the Billboard charts) and today (the album from which it was taken, What’s Going On was named the #1 record in the 2020 Rolling Stone list of the best albums of all-time). Marvin Gaye’s poignant song about the environment only becomes more relevant as time goes on. – Sam Armstrong 52: Mercy Mercy Me (The Ecology) (Marvin Gaye) It would go on to be covered countless times in the following decades. The Isley Brothers only recorded songs for Motown for a short time, but they made a mighty impact with this pleading Holland–Dozier–Holland gem. – Sam Armstrong 53: This Old Heart of Mine (Is Weak for You) (The Isley Brothers) This tune, co-written by Stevie Wonder, was the group’s most successful song for Motown, reaching No. The Spinners would go off to record more for Atlantic Records, but you can understand why Motown wanted to get in on the ground floor of this talented vocal group. – Sam Armstrong 54: It’s a Shame (The Spinners)
#British dance song sergeant movie
The movie for which it was written is largely forgotten today, but the song will be remembered forever. It’s a perfect marriage of two distinct and talented voices. One of the greatest duets ever, this Lionel Richie-penned tune topped the Billboard charts for nine weeks. 55: Endless Love (Lionel Richie & Diana Ross)
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